In Case You're Curious

Author's Bio

Paulette Perhach’s writing has been published in the New York TimesElle, Slate, CosmopolitanMarie ClaireYoga Journal, McSweeney’s Internet Tendency, and Vice. She’s worked for Health and Coastal Living magazines, as well as various newspapers. Hugo House, a nationally recognized writing center in Seattle, awarded her the Made at Hugo House fellowship in 2013. In 2016, she was nominated for the BlogHer Voices of the Year award for her essay, “A Story of a Fuck Off Fund,” which is anthologized in The Future is Feminist from Chronicle Books, along with work by Roxane Gay, Mindy Kaling, Chimamanda Ngozi Adichie, Caitlin Moran, and Audre Lorde.

The Florida Society of Newspaper Editors awarded her First Place for Features Writing in 2007, during her time as a reporter, and judges said, “If literary is putting the right word in the right place, Perhach is a stylist. Perhach is a poet.” In 2008 she launched Drift, an arts and culture monthly, which won Best New Magazine from the Florida Magazine Association that year. She then served in Peace Corps in Paraguay. 

In 2015 she created the Writer’s Welcome Kit, an online course for writers that includes a 55,000-word workbook. Hugo House licenses and sells the course. Her book, inspired by the course, was published in August 2018 by Sasquatch Books, part of the Penguin Random House publishing family. Welcome to the Writer's Life was selected as one of Poets & Writers' Best Books for Writers

She blogs about a writer’s craft, business, personal finance, and joy at and keeps a casual podcast called Can We Talk About Money?

She's now a coach for writers, helping them figure out how to make a life and identity out of being a writer while making the money work (as she figures it out herself.) She's also a speaker on the topics of creativity, writing, and business. 

Perhach holds a magazine journalism degree from the University of Florida, as well as three-fourths of an MFA in Fiction from Pacific University, which got interrupted by the success of the Fuck Off Fund essay. In Seattle, she writes and tries to keep her bank account positive while still living a life that she loves.

Failures, Humiliations, and Rejections

Paulette Perhach’s writing has been rejected from some of the nation’s finest publications. The Sun, Hobart, Camera Obscura, Mason's Road, Brevity, Pank, Monkey Bicycle, The Monarch Review, Post Road, Bitch, ZYZZYVA, Ploughshares, Witness, A Public Space, The Cincinnati Review, The Rumpus, Phoebe, The Kenyon Review, Pleiades, Ninth Letter, Blackbird, Boston Review, Baltimore Review, Kyoto Journal, Puerto del Sol, Third Coast, and Lenny are just a few of the places where you may have noticed her work was not there. Of her writing, Tin House says, “Unfortunately, we must pass at this time.” 

Her rigorous study at the University of Florida (Princeton’s Review’s #1 Party School in the nation, 2008), included courses on Drug and Alcohol Abuse (real class), Geology (commonly called "Rocks for Jocks"), and Racquetball (twice).

She did not receive her MFA from Iowa, Columbia, or from Syracuse, even though George Saunders teaches there, and he's so nice, and two, (two!), of her friends have gotten into his five-student cohorts. She is totally ok about it though. 

She was not the winner of the ASME internship in New York. She did not get the Editorial Assistant job at Coastal Living. She did not get the internship at This American Life, although later she paid to meet Ira Glass, like a creep. 

She has embarrassed herself in front of Roxane Gay, Nancy Pearl, and Malcolm Gladwell, in separate incidences. Her influences do not include David Foster Wallace, Gabriel Garcia Marquez, or Geoffrey Chaucer. She has a library full of writing books, stuffed with rips of paper marking pages with the assignments she will go back and do. 

She is a four-time submitter to the Jack Straw Fellowship. She thought the Pulitzer Prize was the Pullit Surprise until she was like 17. At age 28, she attended an 8-month writing residency in her mom’s downstairs bedroom. 

She is from Florida.

Friends such as photographer Daron Dean have described her pieces thusly: “It got long, but then it ended.”